The Dynax 9 is easily the loveliest late-era professional film camera I have used—all of its functions are so polished and perfect. Exposure is universally spot-on to the extent of being telepathic; autofocus is precise; the huge, clear viewfinder, like an Evian swimming pool, makes people say “ooooh maybe I should try a film camera”; dials and displays have just the right balance between knob-twiddling and “I don’t care just show me the settings”.
I expect that better writers and philosophers than me have explored what it is that photography teaches us about perception. Certainly it is teaching me that light is not perception.
I decided that there was no point not trying to fix my Trip 35 with the focussing problem, but knowing that I don’t have the best record when it comes to disassembling cameras, I also decided to use the least invasive method possible.
I did take a test roll with the Trip to test the focussing, and it looks like I may have been wrong about the speed and camera shake.
I got a roll of 120 Rollei Retro 80S a while ago and decided, on Friday, that it was sunny enough to try it out – so I loaded it into my Lubitel 2, went out to where the City meets the East End, and wandered about in the Easter Bank Holiday emptiness.